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After asking the audience to appreciate his acting, he makes a joke. No film can take that away from him - not in 2017, not ever.Įven Chan seems to understand this fact. There’s a graceful fluidity to his punching and kicking. There’s still something thrilling about watching Chan, even at 63, fight people half his age.

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When it loses sight, the movie pivots to complex combat sequences.Īlso Read: AMC Renews 'The Son' for Season 2 Time after time, Campbell refuses to focus the film’s attention. Hone in on Chan’s ability to be entertaining and dynamic. If “The Foreigner” is adamant about telling the story of a widowed father, then so be it. It has the feeling of propulsion, even when the movie seems to be running in place.īut its central revenge plotline doesn’t work. Even when the dialogue is stiff, Martinez ups the power and punch of a scene through his symphony of sound. Additionally, the whole piece is scored by Cliff Martinez (“The Neon Demon”). Shot by David Tattersall (“Death Note”), the British talent knows where to place the camera amid chaotic gunfights. The film has the assistance of brilliant, ancillary talent. Marconi’s screenplay makes a noble attempt at an exercise in futility: juggling three movies in one. He’s Irish, so he’s a cliché of every Irishmen depicted in contemporary cinema.Īlso Read: Governors Awards Bring Celebrating, Schmoozing - and an Oscar for Jackie Chan Hennessy is an aging bureaucrat in an unhappy marriage. When he reappears, you nearly forget he’s the star. He performs a remarkable 25-minute vanishing act half-way through the movie. At about the 65-minute mark, Chan’s character disappears. It’s such a convoluted dish that it often forgets its main ingredients. “The Foreigner” is not short of ideas just execution. There’s a clandestine affair between a married woman and a younger man, there’s IRA in-fighting, a conniving British government, and young Irish terrorists. Subplots come and go with a haphazard ease. It’s part Bond movie, part familial drama.

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The script is written by David Marconi (“Live Free or Die Hard”), but not even he can seem to keep up with it. Watch Video: Jackie Chan and Pierce Brosnan Lock Horns in 'The Foreigner' Trailerīy the hour mark, it becomes abundantly clear why this film was made: Jackie Chan wanted it to happen.

Neither seem to be getting what they want. After some diplomatic exchanges, “The Foreigner” turns into a long game of cat-and-mouse between Hennessy and Minh. The killers are potentially Irishmen, leading Minh to Hennessy. Pierce Brosnan (as Liam Hennessy) emerges as a former IRA member turned British government official.

The plot thickens as Minh digs deeper into murder. It’s essentially “Taken,” except the daughter is already dead. Determined to track down the individuals responsible for this crime, Minh embarks on a European journey. Quan Ngoc Minh (Chan) survived the explosion. In Martin Campbell’s film, an adaptation of Stephen Leather’s novel “The Chinaman,” Chan plays a soft-spoken man of humility whose life becomes undone when his daughter is killed in an act of terrorism. Jackie is Jackie, no matter the character’s name. This is the international superstar’s blessing and curse. “Aside from the fighting,” he said, “I hope you like my acting.” It was a curious request, especially from Chan, whose on-screen work has largely benefited from the fact that we’re watching Jackie Chan. premiere of “The Foreigner” began, the audience received a message from its star, Jackie Chan.